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Mark
Recent Press/Projects:

We didn’t see it the same., Woollahra Gallery at Redleaf, Sydney (7 February - 3 March 2024)

Feature written by Victoria Scott in lastest issue 3 of UNION Magazine, edited by Sophie Lanigan and themed around how texture is explored across art, architecture and design practices.



September 7-10, 2023: Sydney Contemporary with Sophie Gannon Gallery, Carriageworks, Sydney

MCA Collection: Perspectives on place, Museum of Contemporary Art Australia, Sydney (26 February 2021 - 2 March 2023)



Short Corners, 9 artists, one show across three locations (KNULP, Sydenham International (Sydney/Gadigal Land) and Working At Heights (Melbourne/Naarm), aiming to reconcile the diverging (yet contradictory) bases of an artist’s work, revealing the often obscured or hidden underside of the leaf that branches an artist to their practice.

Short Corners (Pt 1), KNULP, Sydney (19 November 2022 - 04 December 2022), Opening 18 November 6-8pm

Short Corners (Pt 2), Sydenham International, Sydney (24 November 2022 - 17 December 2022), Opening 26 November 2-5pm

Short Corners (Pt 3), Working at Heights, Melbourne (9 December 2022, One night only)

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Sound & Vision Podcast - Episode 331 / Mason Kimber



Capturing the memory of place: Mason Kimber by MCA Australia

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Lustre, Sophie Gannon Gallery, Melbourne (26 July - 13 August 2022)

Shelter in Place, Town Hall Gallery, Hawthorn, Victoria (10 July - 11 December 2021)



Photo by Christian Capurro



MCA Collection: Perspectives on place, Museum of Contemporary Art Australia, Sydney (26 February 2021 - 2 March 2023)



360 Studio Tour - MCA Australia



Strata, Kronenberg Mais Wright, Sydney (20 February - 13 March 2021)





 Art Collector Pulls Focus interview with Jo higgins





Feature in VAST Magazine - Issue 1





May 2020:

The Museum of Contemporary Art Australia has recently acquired the works Husk/Draft (2018), Rooftop/Sway (2018) and Window/Shift (2018)




Installation view, The Churchie National Emerging Art Prize, Institute of Modern Art, Brisbane, 2019. Photo: Louis Lim